The secret benefits to mixing in mono

The Secret benefits of Mixing in Mono






The benefits of mixing in mono are pretty substantial yet also very little known. Most aspiring engineers might think of mixing in mono as a good way to find out if there are phase cancellation issues in your song. The best reason for checking these possible phasing issues is in the event that your song is played over a mono soundsystem (which may be more often than you think). Although that is a very useful technique, you are missing many great benefits of using mono to create a better stereo mix.

Now when I say mono, let’s be very clear. I’m not just talking about using a mono plugin and running it through both of your speakers. I’m talking about turning off one of your speakers and running your mono signal to just one speaker. Preferably you would have this single speaker front and center, but as long as the speaker is directly facing you, this should work just fine. Most engineers that mix in mono has a separate center speaker for this. Why only one speaker when both speakers are sending out the same output? Because you don’t want the extra sound bouncing of walls or getting to your ears at different times depending on your location in the studio. That would mean that in one position something can sound clear, and in another location the same instrument may sound a bit more muddy. Much better to have one speaker to focus on that will remain consistent. You also don’t want the speakers creating a false sense of stereo as you mix.

Lets explore some of the benefits now…


No “sweet” spot

When mixing in stereo, as you move your head and body around in your studioyou begin to lose the stereo illusion and detail of your mix. In mono you don’t have this problem. You’ll be able to hear everything in your mix no matter where you are.


Instruments panned opposite are easier to balance in mono

When mixing guitars to opposite sides of the stereo field, you may find it a little tricky to be that perfect balance so your mix doesn’t start sounding lopsided. When the sound of both speakers are superimposed on each other in mono, it’s easy to hear which of these instruments is dominant and balance that out.


Panning made easier







After getting your basic panning done in stereo, it’s a great time to switch to mono to fine tune things. If you are looking for the “sweet” spot to put an instrument in the stereo field, do it in mono. As you make minor panning adjustments in mono, suddenly a clear spot will pop out at you. That is the spot! Mono reveals when an instrument is fighting for position or frequency much more easily. Try it!



Reverb settings made easier




Reverb settings also are easier in mono. If you are questioning whether you have too much or too little reverb, mono reveals the mud or the holes in your mix. As you start to tweak your reverbs in mono, you’ll notice a whole new depth to your sounds. When it sounds good here, it’ll sound great when back in stereo.



Less ear fatigue with Longer mixing sessions

Aside from the occasional switch to stereo to check your sub levels, you’ll find mixing to be easier at lower volumes and thus you’ll be able to trust you ears for much longer during a session. Nothing is worse than mixing for 8-10 hours straight and realize your ears stopped being reliable after the 3rd hour.



Mixing simplified




Stereo mixing can be complex and pretty daunting. Move your head too far in any direction and you lose that magic spot. Mono mixing puts everything into one simple box that will always sound the same wherever you move your head and body. Problems and solutions can be revealed much easier in mono and your mental perception sees your big project as smaller and more manageable. If you can get things sounding good in mono, they will almost always sound great in stereo.



Give it a try

Don’t just take my word for it. Explore the benefits of mono mixing for yourself. It’s safe to say that once you get your basic levels, panning and reverbs set in stereo, you can switch to mono for most of your fine tuning and mixing.

Now you are an expert in all things mono.

Next check out my 101 Music Production Tips for Computer Musicians ebook

Happy music making,


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16 Responses to “The secret benefits to mixing in mono”

  1. April 9th, 2009 at 7:53 pm

    Ziland says:

    yup, you rock!

  2. April 16th, 2009 at 11:15 am

    Julumaniya says:

    Nice work! I’ll have to do a cross post on this one 😉

  3. July 8th, 2009 at 8:24 pm

    Buglet says:

    Man, that’s great…Thanks for providing such a good info………

  4. July 20th, 2009 at 3:32 am

    Piera says:

    Thank you very much for this post.

  5. August 18th, 2009 at 2:13 pm

    Twitted by AbletonTutor says:

    […] This post was Twitted by AbletonTutor […]

  6. September 5th, 2010 at 10:18 am

    Bruce says:

    Mono forever!
    I love the music of the 60s-70s, specially The Beatles, Beach Boys, Zeppelin…
    And most of their tracks were recorded in mono
    I know it’s 2010 now…but I want to listen exactly what was recorded at the time…
    I know stereo sounds “”””””””””””””””better”””””””””””””””””
    but there’s is nothing “better” than the original thing. They made it mono, and the whole world enjoyed the mono mix… I wanna feel like in the sixties playing a monophonic LP!

    Listen to PET SOUNDS on mono… And think of it as listening as Brian Wilson would… Mono and even with only one ear!


    Go for the original stuff… buy lp’s and stop buyin cd’s and downloadin music! You gotta pay for their work man, I f i make a really nice album I want money man, but if I get rich doing it, then yeah go to my site and download the album for free.. like radiohead u know

  7. December 21st, 2010 at 6:03 pm

    Justin says:

    I’ve always wondered about this when reading about mixing in mono and this article also doesn’t seem to answer this for me (or maybe I didn’t read well enough), but what are you supposed to do AFTER mixing in mono?
    I mean you don’t want your final track to be mono, or do you?
    Aren’t you going to face all the same problems if at the end you want to start panning and widening your mix?

  8. February 25th, 2011 at 9:42 pm

    Michael says:

    Cool idea. I just don’t understand the part about panning where you say “If you are looking for the “sweet” spot to put an instrument in the stereo field, do it in mono. As you make minor panning adjustments in mono, suddenly a clear spot will pop out at you.” If you are mixing in Mono then, by definition, shouldn’t there be absolutely no perceptible change when you pan? I don’t see how going to mono would help you pan even more precisely. Thanks!

  9. August 18th, 2011 at 8:37 pm

    Matt Verzola says:

    brian wilson was deaf in one ear.

  10. March 15th, 2012 at 4:03 pm

    The secret benefits of mixing in mono - Future Producers forums says:

    […] you're really missing out on some incredible benefits. Here's a blog I wrote on the subject: The secret benefits to mixing in mono | Music Software Training and Ableton Tutorial Videos I hope it helps those of you who aren't familiar with this approach. cheers, […]

  11. September 28th, 2012 at 3:00 am

    Tuks says:

    Great tip! Makes perfect engineering sense

  12. November 23rd, 2013 at 11:39 pm

    calvin says:

    hi, i really appreciate this info and im definitely convinced on mixing in mono! only thing is, i have no idea HOW to! is there a post that explains it, or should i just find a tutorial on youtube?

  13. February 11th, 2014 at 8:00 am

    Giovanni Pedrini says:

    Dear Jason,
    I would like to buy ebook “101 music production…..”, but I do not want to have the Amazoon kindle.
    So how can I get it?
    Maybe Paypal and you send to me the pdf file?

    Thank you for your reply.

    Peace & Beat


  14. August 12th, 2014 at 1:45 pm

    Jason Timothy says:

    These ebooks can be downloaded off amazon and read on absolutely anything. iphone, ipad, laptop, desktop. Just download the kindle app for free & you’re golden.

  15. October 25th, 2014 at 6:25 am

    Daniel says:

    @Michael: You’re right, you don’t perceive any panning. What you actually do is adjust only the perceived volume of the track (maybe a bit more “precise” but not any different than your volume fader would do). I’d say “sweet spot” is wrong because all you do is finding the right volume for this track or instrument to not fight any other tracks in the mono mix. It has nothing to do with the right stereo image spot of the stereo mix as long as you do it while listening in mono – but it still might sound better in the stereo mix because a better sounding mono mix will make your stereo mix sound better too most of the time.

  16. February 14th, 2015 at 7:15 am

    Michel says:

    Thanks, completely new for me (except for checking for phase problems). Gonna try this.

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