Posts Tagged ‘engineering tips’
Secrets to holding a listeners attention
Secrets to holding a listeners attention
I wanted to talk today about music that is based on repeating loops. The challenge many of us have when making songs based on either premade or self made loops of 1, 2, 4 or 8 bars is that it can be difficult to keeps things sounding interesting and exciting. I run into this scenario quite a bit and I’d like to share some tip sand ideas to help you improve the flow and interest of your tracks.
Filters
Filters and resonance is probably the most obvious way to keep interest in a part that loops. Closing a hi pass filter can can create a feeling of tension or repressed energy and opening the filter creates a nice release. Depending on the part, this can be very intentional and noticeable or subtle. Either way it can keep the listeners attention as the ears are impeccable at distinguishing minor changes and fluctuations. 2 or 3 builds in your song can go a long way to keep your track interesting.
Lfo’s
An LFO (or Low frequency oscillator) is a fantastic way to create subtle movement in your loop or midi part. If you are working with a synth, adding an lfo to panning, filter or pitch is usually possible directly on your hardware or soft synth. It doesn’t take much give a sound more life. Sometimes you can’t really notice exactly what is happening with your sound but you instinctually just know that it sounds more interesting. If you are working with a sampled loop, you may need to add an effect that offers lfo movement. Ableton’s built in effects offer alot of options in this arena. Adding something as simple as a chorus or flanger at a low “wet” percentage can really help. For more randomness I wouldn’t sync the lfo to tempo. A slow lfo that repeats out of sync with the tempo will keep the lfo’s themselves from being too loopy.
Duplicate and Layer
I use this technique alot. There are one of a few things I might do to keep things interesting. I will duplicate my loop and make the duplicate an octave higher or lower to introduce different frequency information. Often times I’ll go an octave higher and filter out most of the low frequency content so it doesn’t clash with the original part or other parts in the song. Then I’ll add some dirt with a type of distortion or saturator. Next I’ll automate the volume subtly so hints of it comes in and out of the mix. I may make it more noticeable during breakdowns and buildups. You can also add a layer that is a harmonic of the original. I like trying to repitch a dupicated layer 7 semitones above the original. See what works for you.
Also something to look into is duplicating your part and reversing it. Then find the parts that sound interesting and cut them up and strategically place them in interesting places. It will often assist and enhance the feel and movement of the loop if not overdone.
Send/Returns
This can be similar to the last tip. You would simply create interesting fx chains on several return tracks. One might use bit reduction and erosion. Another might introduce an interesting delay or Reverb, while another has a chorus or phaser. Ableton has some really creative effects, so definitely mix and match. It’s best to put the wet/dry on 100% as you don’t want to send the original track back into itself in most cases. Once you have those chains, each of your tracks, including your loop track will have send knobs in your session view. Your track sends are just as automatable as volume or panning, so automate subtle hints of each effect in different points of your song. This is certain to keep things interesting. Just make sure not to get lost here. You were probably attracted to the original loop for a reason, so make sure you aren’t diluting what makes the part great.
Attack, decay, release times
This is another technique that can make a huge impact on your synth part. unfortunately, you won’t have this option with a sampled loop, but I’ll give you a tip that might still help. If you are using a synth, you are sure to have Attack, Decay, sustain and release. In most cases, I like to back off my sustain and release to the lowest setting and then tweak the decay between long and short times. It’s great to open the decay up during builds and breaks and then back it off when things kick back in. This can bring your sound from choppy to washy. Experimenting with the attack can create interesting results at times too. Just like I said before, make sure you don’t lose perspective of the loop that inspired you in the first place. If you are working with a sample, you can drag in a Gate effect and experiment with the threshold. Sometimes this can create a similar effect.
Sidechaining
This is a dance producers secret weapon and can easily be overused but the movement and groove it can give a part can’t be denied. Subtly (or more noticeably) syncing a loop to the kick can certainly help keep things interesting. Naturally when the kicks drop out, so does the sidechain effect which is pretty popular in dance music. Whether you choose a standard noticeable approach or or something more subtle, the listeners ears will thank you. Also experiment with sidechaining to other parts in your song for interesting results.
Outside the loop
Although there are many many things you can do to make a repeating loop sound interesting, there is also something to be said about building interest outside the loop. In general, the listener is not going to want to hear a static loop for more than 8 bars. There are things outside the loop that obviously need to stay interesting as well. Filter rises, swells, evolving ambient sounds and high frequency sounds are some of my favorite ways to keep interest. Many songs, for example, will put a crash at every 8 to 16 bars. Surprisingly, that one sound can reset your interest in listening to a loop for another 8 to 16 bars (depending on how interesting the loop itself is). On top of that though, reverse sounds and weird noises run through reverb and delay can really create space and depth in your track. Another favorite trick of mine is stretching audio. Whether it be a vocal sample or, well, pretty much anything, you can really get some amazing drones with tons of subtle movement. Heck, even try stretching your loop itself. You can do some pretty massive stretching in Ableton but I prefer a fantastic free program called Paul Stretch which you may recognize from an earlier post of mine. It does some fantastic things and can bring endless fun!
I know there are ways to keep a track free from too many effects and dry sounding without losing interest as well, and that would have alot to do with drum programming, groove quantizing and knowing when to add another layer of hihats or when to drop the kick for dramatic effect. Hip Hop is really good at this, but remember, most hip hop is only a few minutes long and has vocals throughout. Getting the same results on a 7 minute track without vocals is much more challenging. I’m certainly not an authority on this approach, but I admire those who are able to take a minimal approach and keep things interesting and engaging.
Other things to note for keeping interest are counter melodies. Being able to change the attention from one melody to another can keep listener interest for a far longer time. Just make sure both parts have movement and have areas in the song where each is more noticable than the other as well as a part where both parts are layered pretty evenly. That alone gives you 3 movements for your track.
Last but not least, changing just 1 note in your bassline can make a dramatic effect if done in the right place. Don’t underestimate the power the bass plays on a melodic loop. Changing the key of your bass, or just a note here and there can do wonders to keep interest.
Use you best judgement
All of these techniques are simply suggestions and it’s really going to come down to your personal style and what you would like to accomplish. Some technique might not benefit your track at all, or perhaps you’ve found the perfect loop that needs very little to keep interesting. You are the master of your own craft and ultimately, you make the rules. All I am hoping to do is empower you to be the best YOU possible.
Below is a video I posted not long ago, but I thought I would add it to this post as it lead me to writing this blog and might give you some other ideas.
Creating Evolving Loops/Soundscapes
This is a simple way to take 1 boring midi loop and make it much more interesting through layering the same part through different effects chains. I also show you a trick of creating automation for each layer that loops at odd times. If you think of running several tape loops all at different lengths, when played together, the sounds never combine the same way twice. This makes things more pleasing and interesting to the ears.
Below is a video showing you this process in Ableton Live 8.
http://www.musicsoftwaretraining.com/vids/evolvingloop.f4v
(Right click and Save as)
Feel free to download the song file to see exactly how I approached this:
Happy Music Making,
Jason
P.S. – Don’t forget to comment & tweet (down below) & “like” (up above).
All your feedback & support is appreciated!
30 Day Ableton Music Production Journal
Welcome to my 30 Day Journal experiment. Below are 3 of the 30 videos available in my full Ableton video collection. Over the course of 30 days I forced myself to record at least 30 minutes of producing everyday journaling my full creative process for 2 songs and a DJ mix. I also show you how to take a song from within or outside of Ableton and prepare it for live performance.
Be aware that due to the volume of video material I’ve recorded (20 or more hours), there are no zooms or tricky video effects. I am also aware that there may be some imperfections & volumes may fluctuate with my voice from video to video. In this case I’m going for a wealth of content instead of perfection. It is recommended that you enlarge this video to fullscreen for best results. Enjoy and please share this with your friends through word of mouth, email, Twitter & Facebook. I’d like to share this free content with as many people as possible.
Day 1 (Song 1 begins)
Day 14 (Song 2 Begins)
Day 27 (DJ mix begins)
Download completed songs & the Mix at the links below(right click and save):
Jason Timothy – DJ Mix August 2010
Final thoughts:
Realize the songs & dj mix were not abandoned at the point of perfection as reaching that can require far more than 30 days. Also be aware that reaching a level of satisfaction instead of perfection may be just the discipline you need. I know many people who spend years on their work and by the time it’s close to perfect, they realized it now sounds outdated to them thus starting the cycle all over again.
At the end of the day, completing your creative works takes a level of skill, patience and most importantly confidence. If you can’t muster the confidence in your work, you’ll never be able to say “This is finished”.
I took a huge gamble when starting this 30 day video journal. I had no idea what I would accomplish, if anything. I had no idea if I would be well received as I stumbled through each day trying to share an honest reflection of my creative process. I knew I would be far from perfect and that I would have several of my weaknesses exposed for all to see.
For me, this was a test of will, persistance and courage. I completed the challenge and I came out alive on the other side. As a sidenote I’ve pushed my comfort zone out quite a bit and have become less resistant to facing my fears. I want to thank you all for the support and the positive feedback. I hope this process has inspired you to have the confidence to create and complete your work.
Special thanks to Nick from NicksTutorials.com for loaning me the space and bandwidth to make this possible. I highly recommend you stop by his site. His Ableton tutorials are fantastic and he has loads of free vids as well.
For those who are interested, all the songfiles, samples and final mixes of the songs available immediately if you decide to order this full collection (you’ll need version 8.1.3). The full collection will soon be priced at $79 but is reduced to $59 for a limited time. (Keep in mind that the songs used for the DJ Mix are not included due to obvious legal reasons).
I hope you enjoyed this 30 day experiement.
Happy Music Making
Jason
P.S. – Don’t forget to comment & tweet (down below) & “like” (up above).
All your feedback & support is appreciated!
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My 30 day video producing Journal
My 30 day video producing Journal
For those of you who are following me on Twitter over the last 30 days, you may have seen me tweet about an experiment I started on the 1st of August. This idea has been running through my head all year and I kept putting it off because I was honestly a bit afraid of embarrassing myself publicly by agreeing to let you watch my songwriting process for 30 days straight.
One major hurdle was the fact that I have never produced music everyday for this length of time and wasn’t sure what the outcome would be if I forced myself to create when I wasn’t particularly inspired. Would inspiration show up or would I be left showing you 30 days worth of “go nowhere” ideas? That can’t be good for anyone’s ego. :-)
Another fear was that you might not learn much from this process. I don’t purposely do complex things just for the sake of it, so most of my process is experimenting with layers of simple ideas until I find something that works. I didn’t want you watching me use the same techniques over and over and thinking “I thought he was gonna show me some crazy stuff” and being disappointed.
Then I had a thought…..
These excuses were the exact reason nobody else has done something like this before and if that’s the case, this must be common with most everyone that creates. Maybe by showing my strengths and weaknesses I might be able to pull others outside of their comfort zone. Maybe this will show you some of the essential things to learn instead of you feeling like you have to know everything before allowing yourself to start.
Through this process I’ve been motivated, unmotivated, grumpy, anxious, unorganized, inspired, bored, confused and slightly embarrassed at times. Despite all that I was able to complete 2 songs & a DJ mix I am pretty happy with. That has got to count for something. I’ve also become that much better at fighting through resistance and getting to the other side. I may talk more specifically about my struggles as I share this 30 day process. If I can create in the state of mind I was in on some days, you definitely can too!
So here’s how this is going to work…
At some point soon I will be posting 1 video on my blog a day for 30 days. Almost all the videos are 30 minutes of longer, while some are well over an hour. Each day 1 video will be up to watch for free for 24 hours (or until the next video takes it’s place). So for 30 days you will have a new video to watch. I’ve edited the videos a bit to keep them more focused so you don’t watch me go off on tangents that are unnecessary. You will however see me do some things that don’t get used at all in the final process. I figured it was important to include that so you can pretty much watch the whole creative process.
For those who find value in this collection, I will later make it available if you want to purchase it. It will include all the samples used and all the Ableton song files from each day as well as the 2 completed songs and DJ mix (obviously seperated tracks from my DJ mix will not be included).
Don’t call this a tutorial
Although there is alot to learn from this collection of videos, it was put together without any planning and therefore is not like any other collection I have made. This isn’t a “how to make a (choose your style) song” but rather an relatively honest approach to some ways I approach making music. I do however limit myself to just Ableton’s internal effects and instruments. These limitations take me outside my comfort zone which I thought was a good challenge. I wanted to be working with tools that all Ableton users have access to so everyone can not only follow along but stop thinking they need more stuff before they can start creating professional sounding music. In another track I built the song just using samples and internal effects. I also go through the process of preparing a song to play live in Ableton and build a DJ mix. Do to the 20ish hours of footage, I haven’t done the type of editing I usually do. Sometimes you’ll find me in the “zone” and I stop talking about what I’m doing and I just DO, although I try my best to fill you in or why I’m doing what I’m doing and what I am thinking at the time.
I hope this lets some of you inside my head creatively and shows you some building blocks, techniques and tools that you can apply to your work. I certainly didn’t invent any of the techniques, so it’s only fair that I pass along what I know so you can take it and figure out a way to do it better. … Then I can learn from you :-)
Keep your eye on this blog and make sure to follow me on Twitter if you want up to the moment updates.
Til then,
Happy Music Making,
Jason
Professional 1 on 1 Ableton Training
Personal 1 on 1 Ableton training
Although I believe that my tutorial video collections are very helpful for most, I know of several people who prefer direct interaction with me. You may have a specific topic that is challenging you or perhaps you run into a rough spot in one of your songs that you need guidance on.
Whatever it may be, there are several reasons to opt for personal training. I personally find my learning and production skyrockets when I’m working with another person. I find that the power of 2 or more people working on a creative task can accomplish quite a bit more that each individual on their own. Each person brings certain skills to the table that the others may not have.
Since 1999 I have been doing 1 on 1 training on a number of programs including Cubase, Acid, Fruity Loops, Pro tools, Sonar and Reason. My experience over the years helped me understand what was most important tips and tricks are that would be most helpful and productive. This also led me to making video tutorials and starting my blog.
The reason I switched from personal training to making videos was simply the ability to reach and assist more people through the internet than I possibly could privately. There were only so many people I could help within my local area & to go outside of that zone was very time consuming. The reason I return to a limited amount of private training is that I now have the ability to do sessions with anyone in the world from the comfort of my home. Now we can access my studio or yours at any time during the session. That prospect is exciting and inspiring to me.
My sincere goal has always been to empower people to be more productive and to help them make music they can be proud of. Sometimes knowing all the tricks isn’t enough to give you that creative instinct. Sometimes you get stuck with too many choices and you freeze up, afraid of making the wrong choice.
This is where personal training can come to the rescue. You can have someone on your side taking you directly the the right tool in your toolbox to accomplish what you have in mind.
You’ll also have someone who can see and hear potential issues before they turn into a problem. To know your tools well is definitely important, but more important is to know which technique will give you the best result for your immediate task. This is why many people hate reading manuals. Sure the information is most likely in there (if it’s a decent manual), but who wants to dig through all 500+ pages to get to the 1 paragraph that will solve your issue? Out of the 1000′s of choices you have from moment to moment in your songwriting. wouldn’t it by nice to know that you’ll only need 15 or 20 of them to finish the song in front of you?
Although I have a Remix walkthrough collection that has helped a number of people, some want that experience applied directly to their song. Perhaps your song needs different tools that I didn’t address in my video collection. For whatever the reason, I am making myself available to help you get to the next level.
When you book a Personal Training session, it will be your time to learn exactly what you want to learn. If you want to learn a certain technique, I’ll walk you through it until you have confidence performing the task yourself.
Maybe you want to watch how I might approach a certain songwriting task. Perhaps you want me to help you work on your own ideas to try to pull out the potential that hasn’t yet shined through.
Remember that very few people do everything on their own. Pretty much everyone has people they go to when they are in a jam. Even the best of the best. I do it ALL the time. There is no shame in asking for help when you find yourself stuck. If I can be of service, I encourage you to contact me.
As I expect to be booked up pretty quickly, it’s probable that i’ll be raising my prices if wait times get too long. I would rather charge more and be able to work with people more quickly. Also if you would like to go in on a session with a few friends, that is also fine by me. Just make sure you are organized in what you want to learn or work on.
This should also help those of you who read my blog and watch my videos as I’ll be able to share more challenges and solutions that I come across.
What this is not
Those of you with viruses, software problems, or computer repair needs will not benefit from my services. Make sure you sort out your glitches before booking a session with me. I work pretty specifically with Ableton Live so I won’t be doing training on 3rd party synths, effects or other DAWs. If you have specific needs, make sure to discuss it with me prior to booking a session.
Booking a session
If you are interested in booking a session click on the link below:
http://www.musicsoftwaretraining.com/1-on-1-training/
Happy Music Making,
Jason
P.S. – Don’t forget to comment below with any questions.
All your feedback is appreciated!
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